March 23, 2006: La Favorite in Zurich

2006-03-23 La Favorite (Donizetti), Opernhaus Zurich

Leonor de Guzman = Vesselina Kasarova
Fernand = Fabio Sartori
Inez = Jaël Azzaretti
Alphonse = Roberto Servile
Balthazar = Carlo Colombara
Don Gaspar = Eric Huchet

Marc Minkowski, conductor



La Favorite - Donizetti
In französischer Sprache

Dirigent Marc Minkowski
Inszenierung Philippe Sireuil
Bühnenbild Vincent Lemaire
Kostüme Jorge Jara
Choreographie Avi Kaiser
Choreinstudierung Jürg Hämmerli
Lichtgestaltung Hans-Rudolf Kunz


First time that I saw Vesselina Kasarova live. And I liked the mezzo voice. Only wish it was La Favorita and not La Favorite. O mio Fernando would have been better than O mon Fernand. But today everybody likes to have the original. Well I think Favorita in Italian is better than Favorite in French. But will the operahouses nowadays dare to take the Italian Version that used to be more popular than the French (times has always been changing that). Nice voice, nice acting, nice woman, Kasarova. Unfortunately I found her voice not always as florid as I wished.

Jaël Azzaretti (Inez) was marvelous. Loved her singing. And Carlo Colombara (Balthazar) was as always wonderful, how I love his voice, deep and sonorous. Fabio Sartori (Fernand) has a good voice, beautiful and had he been slimmer then I would understand why Leonor fell for him. One was not always so aware of physical appearance when one listen to such a voice and he was also act, so he became Fernand. Roberto Servile (Alphonse) was not an ideal Alphonse, so unlike Carlos Alvarez in Vienna who I found very attractive as the King. Roberto Servile still had some great moments with Leonor but his thick and not so florid singing gave some rough moments.

The production: very nice scenography but unfortunately the team who created this Favorite had not believed this bel-canto opera good enough to stand on its own feet. La Favorite and the story here need not any more symbolism, just let it unfold. The director though he had good ideas, Fernand is only dreaming this etc. Just let us believe it, that the people and their feelings are real.

But worst of all the ballet, it was actually booed, not something that I believe happened frequently in Zurich. The King is throwing a party/ an entertainment for his mistress, the Favorite, Leonor. But the ballet is an insult to Leonor and an insult to the audience, do you really believe we are stupid, that we do not see the injustice to the women, the double morale. It was really such a disappointment to have that ballet moment done that way right in the middle of a fine opera evening. IT WAS JUST A VERY stupid IDEA.

It was the ballet alone that made a FIVE of even SIX star production become just a 3 star. Luckily the ballet did not end the opera, but it was life a knife in your heart that one. SENSELESS, stupid. Thank God, Carlo Colombara was singing in the last act, his aria was just really the best thing in the whole evening. What a voice!!!!

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July 3, 2012: Simon Boccanegra in Zurich

2012-07-03 Simon Boccanegra (Verdi), Opernhaus Zurich

Simon Boccanegra = Plácido Domingo
Maria Boccanegra (Amelia) = Barbara Frittoli
Jacopo Fiesco = Carlo Colombara
Gabriele Adorno = Fabio Sartori
Paolo Albiani = Cheyne Davidson
Pietro = Giuseppe Scorsin
Ein Hauptmann der Bogenschützen = Ilker Arcayürek
Eine Dienerin Amelias = Julie Bartholomew

Carlo Rizzi, conductor

Producer/production - Giancarlo del Monaco
Set design - Carlo Centolavigna
Costumes - Maria Filippi
Lighting - Hans-Rudolf Kunz

STANDING OVATION FOR PLACIDO DOMINGO IN ZURICH 2012-07-03

Placido Domingo as Simon Boccanegra. The tenor as baritone. The multi-talent Placido Domingo is loved by many but many think he is over-reaching himself. I found him wonderful as Simon Boccanegra but I must accept that had I only listened to him then I might have been more skeptical. The Magic of Placido Domingo was in his abilty not only to sing each note but to do so while acting. Placido Domingo was Simon Boccanegra that night in Zurich. Pure baritones may sing it more beautiful but in acting Placido is a gigant.

Cheyne Davidson sang Paolo Albiani in stead of earlier mentioned Massimo Cavalletti. Cheyne Davidson and Giuseppe Scorsin sanf Paolo and  Pietro. Something made me feel that they were not quite up to par. Paolo lacked his bite and bile. Pietro was a deep-voiced but no depth. Luckily they are not that important except that done properly they do give some extra depth to the story. Otherwise it would just be a family drama and not a political drama.

Placido Domingo clad in brown in the Prologue and he looked just like an old photo of Placido as Otello. So young he was as he lept on stage. And it was with Placido Domingo the opera really started to energize. Next energy burst came with Carlo Colombara as Jacopo Fiesco. The great Italian bass owned the stage during his great aria. Then two gigants Fiesco and Boccanegra, Colombara and Domingo, and wow, what an amazing duet. A duel between the fury of Fiesco and the compassion of Boccanegra.

Act 1 and finally Barbara Frittoli as Amelia. She was stunning. Her voice and acting was amazing. I found her jsut perfect as Amelia. Beauty and style in every ounce. Fabio Sartori was her lover Gabriele Adorno. (This tenor is not a thin man but for once the costume people had chosen cloths that looks good on the not-so-thin people. I hope this is a trend that one will create costumes that looks good on all body-types. But I fear this is knowledge that is forgotten, REVIVE IT PLEASE.) Fabio Sartori has a wonderful tenor voice and was an amazing Adorno.

And what to say more. Act 2 and 3 was wonderful. The sets are beautil and the costumes too. It is a stilistic Genoa we see with the blue sea in the background. During the duet between Boccanegra and Amelia I cried and the end made me cry too. I am sure was weepy during other times of the opera. For me it meant that this SIMON BOCCANEGRA  was great. It touched me. Placido Domingo touched me.

BRAVI, tutti!! BRAVO, Placido!!!

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For more reviews from my travels, see www.operaduetstravel.com If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com

June 29, 2007: Nabucco in Verona

2007-06-29 Nabucco (Verdi), Arena di Verona

Nabucco = Leo Nucci
Ismaele = Fabio Sartori
Zaccaria = Carlo Colombara
Abigaille = Maria Guleghina
Fenena = Nino Surguladze
High Priest of Belo = Carlo Striuli
Abdallo = Carlo Bosi
Anna = Patrizia Cigna

Daniel Oren, conductor



Nabucco


Dramma lirico in 4 acts by
Giuseppe Verdi
Libretto by Temistocle Solera

opera and synopsis


Arena
29 June 2007 at 21.15
Season Tickets


Principal Conductor Daniel Oren
Director Denis Krief
Scenographer Denis Krief
Costume Designer Denis Krief
Choir Master Marco Faelli
Director of the Corps de Ballet Maria Grazia Garofoli
Lighting Designer Paolo Mazzon
Director of stage design Giuseppe De Filippi Venezia

Orchestra, Chorus and technicians
from the Arena di Verona

Now Nabucco. Not the same production as two years ago. Leo Nucci was also then Nabucco and Susan Neves was Abigaille. Disappointment, two-fold; the production in 2005 was better, and my seat was better: I could hear better then, and no-one was talking during the show. Having read some review of the production with their pointing out disappointment towards Carlo Colombara and Maria Guleghina, they loved Leo Nucci, of course... so I knew something. And it was announced at the loud-speaker, that Colombara although slightly ill he was still singing. And you could tell he was not in top form but he was steadily better. Maria Guleghina was also weak sounding, but I think that was because of my seat. Had I been sitting in Poltronissimo God section and not (just) poltronissimo then I think my feeling had been better about this production, but I would still have found the ballet thing stupid and wondering why did they put such a boring costume on the wonderful soprano, Maria Guleghina. Fenena and Anna got something beautiful to wear. White for Fenena, red for Anna, but for Abigaille, dark earth colors.

And then singers did not come out where I was standing.

Must have more Maria Guleghina live. Especially as Abigaille....

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