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Showing posts with label Angela Gheorghiu. Show all posts
Showing posts with label Angela Gheorghiu. Show all posts

Friday, September 15, 2017

September 15, 2013: Tosca in Vienna

2013-09-15 Tosca (Puccini),  Wiener Staatsoper

Floria Tosca = Angela Gheorghiu
Mario Cavaradossi = Marcelo Álvarez
Baron Scarpia = Zeljko Lucic
Cesare Angelotti = Janusz Monarcha
Der Mesner = Alfred Šramek
Spoletta = Benedikt Kobel
Sciarrone = Marcus Pelz
Ein Schließer = Alexandru Moisiuc

Marco Armiliato, conductor

Inszeniering - Margarethe Wallmann

Bühnenbild und Kostüme - Nicola Benois


2013-09-15 TOSCA (Puccini), Wiener Staatsoper
Tosca = Angela Gheorghiu
Cavaradossi = Marcelo Alvarez
Scarpia = Zeljko Lucic

Conductor Marco Armiliato.


And a happy opera night it was. The production was TOSCA and no nonsense here. Marcelo Alvarez was a great Cavaradossi. He had a wonderful E lucevan le stelle. Angela Gheorghiu´s best moment was Vissi d arte and the last act. Zeljko Lucic was too mellow, strange since he is such a powerful Jago.

OD Travel & Photos
Original blog post

For more reviews from my travels, see www.operaduetstravel.com If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com

Monday, July 31, 2017

July 31, 2003: La Traviata in Verona

2003-07-31 La Traviata (G. Verdi), Arena di Verona

Violetta Valéry = Angela Gheorghiu
Flora Bervoix = Milena Josipovic
Annina = Loredana Bigi
Alfredo Germont = José Cura
Giorgio Germont = Ambrogio Maestri
Gastone de Letorières = Mauro Buffoli
Baron Douphol = Graziano Polidori
Marquis of Obigny = Alessandro Calamai
Doctor Grenvil = Enrico Iori
Giuseppe = Mario Guggia

Daniel Oren, conductor


Arena di Verona
31 July 2003 - 21.15



La Traviata Recital


Melodrama in 3 acts by Giuseppe Verdi
Libretto by Francesco Maria Piave


PRINCIPAL CONDUCTOR Daniel Oren


CHOREOGRAPHER Maria Grazia Garofoli
CHOIR MASTER Marco Faelli
Director of the Corps de Ballet Maria Grazia Garofoli
Light Designer Paolo Mazzon
Director of stage design Giuseppe De Filippi Venezia


Flora's Servant Angelo Nardinocchi
Commissioner Angelo Nardinocchi

After the wonderful Carmen on July 29th, with the meeting of José Cura backstage, mostly photographing on my part, and a little to drink afterwards in a cafe that was mostly closed, I was not in my hotel until 0315, and did not sleep until 4. And yesterday it was a wonderful luncheon with JCx members, that was nice, but I was tired from the late night, and did not have much energy. And on this day, head-ache from morning to night. My head was only alright when the opera was going on, in the pauses the ache came back again.

How nice that La Traviata's is mostly so complex, that us normal people, have difficulties humming it. Especially is Violetta arias hard to hum.

I really like the scenography for this La Traviata, semi-scenic version, was really full opera, not concert-like at all. Beautiful white was the scenography, enough for all who knows the story, and with Angela Gheorghiu and José Cura in the leads, really a great evening. Ambrogio Maestri, Giorgio Germont, was naturally very welcomed as an Italian between the Rumanian Gheorghiu and the Argentinean Cura. First time for me to see Angela Gheorghiu live. I liked her performance very much, and naturally Cura was great as Alfredo. If only I was closer to the stage.

It was perfect. Only one thing, (I did hear people mention AG is the new Maria (Callas), is the end of the opera when Angela sings the line when she feels a new life and subsequently dies, To hear the word being spoken in Italian gives really a shudder down one's spine. Sung it is nothing.. not even beautiful. Otherwise did Angela Gheorghiu really make a great impression as Violetta Valéry.

José Cura was wonderful as Alfredo Germont, daring and warm and passionate. Sometimes his voice what on the rough edge. But it is only when I think about it, later, that one thinks, ah!, he was tired. But in the performance I did not feel that at all. Wonderful to see José Cura and Angela Gheorghiu backstage, not together, they were apart, but at point I was there, right between the opera-giants,... little me.

OD Travel + Photos

Thursday, July 6, 2017

July 6, 2015: Adriana Lecouvreur in Paris

2015-07-06 Adriana Lecouvreur (Cilea), Opera National de Paris (Opera Bastille)

Adriana Lecouvreur = Angela Gheorghiu
Maurizio = Marcelo Alvarez
La Principessa di Bouillon = Luciana D’intino
Il Principe di Bouillon = Wojtek Smilek
L’Abate di Chazeuil = Raúl Giménez
Michonnet = Alessandro Corbelli
Quinault = Alexandre Duhamel
Poisson = Carlo Bosi

Daniel Oren, conductor

Stage director - David McVicar
Sets - Charles Edwards
Costumes - Brigitte Reiffenstuel
Lighting - Adam Silverman
Choreography - Andrew George

Chorus master - José Luis Basso


Bravi, tutti! And I did not have head-ache this time. So this time I waited for the artists to come out. Ihad to give up waiting for Angela Gheorghiu.

I can only repeat myself that this was a wonderful, traditional production. I think Angela Gheorghiu was better this day. I think that since I am deaf on one ear it is hard to me get the right sound in my head and something was slightly off in the sound this day but I think it was probably just my deaf ear and that problem.

The audience was definitely different, they were laughing more something I do not like when I am in an opera house enjoying opera. Not that it was malicious the laughter I just found it out of place.

OD Travel & Photos
Original blog post

For more reviews from my travels, see www.operaduetstravel.com If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com

Monday, July 3, 2017

July 3, 2015: Adriana Lecouvreur in Paris

2015-07-03 Adriana Lecouvreur (Cilea), Opera National de Paris (Opera Bastille)

Adriana Lecouvreur = Angela Gheorghiu
Maurizio = Marcelo Alvarez
La Principessa di Bouillon = Luciana D’intino
Il Principe di Bouillon = Wojtek Smilek
L’Abate di Chazeuil = Raúl Giménez
Michonnet = Alessandro Corbelli
Quinault = Alexandre Duhamel
Poisson = Carlo Bosi

Daniel Oren, conductor

Stage director - David McVicar
Sets - Charles Edwards
Costumes - Brigitte Reiffenstuel
Lighting - Adam Silverman
Choreography - Andrew George

Chorus master - José Luis Basso



It was wonderful and rare to see a truly traditional opera production but for Adriana it is so right.
Loved the production and did warm up to this opera rather quickly. I loved Alessandro Corbelli as Michonnet. He was so right for the role. He loves Adriana and he is the decent type of a fellow someone to trust interely. Raul Gimenez as L'Abate was also wonderful as this not so trustworthy man, not so much of a man of the Church as a man of the flesh. Wojtek Smilek as the Prince of Bouillon was impressive, too.

Angela Gheorghiu was not impressive as she started with "Io son l'umile ancella", mostly because I have heard the likes of Montserrat Caballe singing it, and with MC it is most impressive and impressionistic. The rest of the audience, however, went wild for Angela Gheorghiu. Luciana D'Intino was her rival the Princess of Bouillon and Luciana was great. Luciana has everything passion and La Voce and her voice can go through all and everything. Marcelo Alvarez was just the most adoringly, wonderful Maurizio. What a beautiful voice? He could use to loose some weight but NOT if it changes his voice because the Voice is Perfect.


Daniel Oren conducted and the orchestra was just wonderful. Angela Gheorghiu became better and better. Luciana wins on power, Angela wins on sweetness. Marcelo Alvarez has it all! BRAVO tutti!

OD Travel & Photos
Original blog post

For more reviews from my travels, see www.operaduetstravel.com If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com