June 10, 2000: Samson et Dalila in Zurich

2000-06-10 Samson et Dalila (C. Saint-Saëns), Opernhaus Zurich

Dalila = Agnes Baltsa
Samson = José Cura
Le Grand-Prêtre de Dagon = Giorgio Zancanaro
Abimelech = Guido Götzen
Un vieillard hebreu = Giuseppe Scorsin
Un messager philistin = Matthias Aeberhard
Premier philistin = Miroslav Christoff
Second philistin = Werner Gröschel
Un enfant = Joêl Bourgeois

Jacques Delacôte, conductor



Samson et Dalila with Jose Cura, Agnes Baltsa & Giorgio Zancanaro

It is the same production that I saw in 1996 with Carreras as Samson, Baltsa as Dalila, and Giorgio Zancanaro as Grand Pretre de Dagon. And naturally I wondered about how would Cura do against the comparison of Carreras. Already as we first see Cura, difference is great. Cura is coming, the muscle-man, trying to convince the people as with force. When Carreras came, it was the as a prophete, a Man of God, with spiritual means to convince the people. Samson was a womanizer (read the Bible) so Cura is doing it right in act 1 when Dalila is singing and he is trying to look at all the women on the stage. Carreras (Samson) saw only Dalila (Baltsa).

Act 2
The excitement was greater in 1996 (maybe it was age, maybe not). Jose Cura and Agnes Baltsa in the seduction scene, the magnetism was not working... Carreras/Baltsa in 1996 was magic.

Act 3
"Vois ma misere". Jose Cura was too physically strong to make justice to this scene. Carreras, on the other hand, was heartbroken and the audience felt it, it was making me cry. Cura sang well, but I was indifferent. Cura was almost tossing the boy around on the stage, when a boy guides the blinded Samson. One never felt that this Samson had lost any strength. With Carreras we all knew it was God's hand that destroyed the Hall with all the Philistines and Samson and Dalila.

The same production as 1996 and Agnes Baltsa is older, but it was great enjoyment. My personal view of Samson makes Jose Carreras my favorite Samson, but I admit that Jose Cura is not bad. (I like Carreras' more spiritual Samson, Cura was more the physical strong Samson), One witness a near operatic disaster in Act 1, Cura loses track, and his big voice makes it so obvious. But Cura is a professional artist he gets on track. Zancanaro is not better than in 1996, but he is good.

Musikalische LeitungJACQUES DELACÔTE
InszenierungGRISCHA ASAGAROFF
BühnenbildMAROUAN DIB
KostümeJAN SKALlCKY
Lichtgestaltung'ROBERTUS CREMER
ChorJÜRG HÄMMERLl
ChoreographieBERND R. BIENERT


0 Mitglied des Inte'rnlltionnalen Opernstudios
ZÜRCHER BALLETT
1. RildDelphine Perroud, Galina Mihailova,
Nathalie Sawinow, Cornelia Lüthi, Fabiana Maltarolli, Alla Bykanova
4. BildFabiana Maltarolli -Kinsun Chan
Delphine Perroud -Lukaseh Abramian Galina Mihailova -Petros Terterian Nathalie Sawinow -Vardan Khaehatryan Cornelia Lüthi -Vahe Mertirosyan
Alla Bykanova -Andres Heras Frutos
CHOR DES OPERNHAUSES ZÜRICH ZUSATZCHOR OPERNIIAUS ZÜRICH STATISTENVEREIN AM OPERNHAUS
ORCHESTER DER OPER ZÜRICH
Samstag, 10. ,Juni 2000Schwveizer Illustrierte-Abo
Pausen nach dem 1. und 2. Akt Beginn: 19.45 Uhr
Ende: ca. 22.45 Uhr

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