Friday, September 23, 2016

September 23, 2007: Fledermaus in Berlin

2007-09-23 Die Fledermaus (Johann Strauß), Komische Oper Berlin

Gabriel von Eisenstein = Klaus Kuttler
Rosalinde = Gun-Brit Barkmin
Frank = Martin Winkler
Prinz Orlofsky = Karolina Gumos
Alfred = Christoph Späth
Dr. Falke = Günter Papendell
Dr. Blind = Thomas Ebenstein
Adele = Natalie Karl
Ida = Saskia Krispin
Frosch = Peter Renz

Die Fledermaus

Komische Operette in drei Akten von Johann Strauß
Libretto von Richard Genée
So | 23.09.2007 | 19:00 Uhr

Weitere Aufführungen ..

09. | 25. | 30. September
06. | 06. | 14. Oktober
02. | 17. | 28. November
04. | 13. | 14. | 18. | 23. | 25. | 31. Dezember
13. Januar
27. | 27. Juli

Musikalische Leitung ... Markus Poschner
Inszenierung ... Andreas Homoki
Ausstattung ... Wolfgang Gussmann
Chöre ... Robert Heimann
Lichtgestaltung ... Franck Evin

The Critics were not convinced by this production. "Too much laughs on the stage, not so much from the audience". The Regisseur has taken the operetta too serious, not enough Champagner-sprudl, only Sekt (no real Champagne).

First I loved it then I didn't. Intermission between act 2 and 3 said the program. But in reality it was in the middle of act 2. Which did in a way make sense and too the ball room from the drunken mind of Eisenstein was also a good idea. But then the prison scene was still a ballroom with all the furniture fallen down, it did not make sense. The newspapers did not like how Frosch was reduced to a nobody, no good comedy/comedian there. And the end was too cynic for an operetta. With Adele back as a chamber maid and Eisenstein to jail and Rosalinde with her Alfredo having supee at Eisenstein home. Too cynic.

The Orlofsky was just someone from the opera ballet dressed up to be a nobleman from Russia. Adele was just a joke to the people at this "ball". This was supposed to be a more tradional Fledermaus but really it was still REGIE-Theater where the regisseur just impose his ideas to an opera/operetta.

Singing was good. They were not really good in dialogue, could not hear every word. Acting good. But this was an operetta without brio...

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