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Showing posts with label Simina Ivan. Show all posts
Showing posts with label Simina Ivan. Show all posts

Monday, November 13, 2017

November 13, 1999: Le Prophete in Vienna

1999-11-13 Le Prophète (G. Meyerbeer), Wiener Staatsoper

Fidès = Agnes Baltsa
Jean de Leyde = Janez Lotric
Berthe = Simina lvan
Le Comte d'Oberthal = lstvan Gati
Zacharie = Peter Köves
Mathisen = David Cale Johnson
Jonas = Torsten Kerl

Marcello Viotti, conductor


Le Prophete. The Anabaptist revolt, because of the unfair conditions that the country people live under. Their Overlord is harsh and unfriendly. The sect of the Anabaptist, is against the Church. Unfortunately the violence remains. In this situation we find Berthe, an orphan, and Count of Oberthal decides instead of accepting that Berthe can marry Jean, he wants her himself. The mother of Jean, Fides, who has come to fetch Berthe, is also seized. Jean finds out about Berthe, in his hatred he becomes the Prophet...
This was the second time I saw Le Prophete, and Hans Neuenfels ideas about this opera, irritated me even more. Agnes Baltsa was great. Janez Lotric was brave to sing this role after Plácido Domingo. Simina Ivan was a good Berthe. The three Anabaptist were weaker than before.
But Giacomo Meyerbeer's music is still GREAT no matter what the director does.
Only one thing I want to tell the opera directors, let opera unfold to tell the story. Just open it up, new and fresh. (like one did with La Juive)

Wiener Staatsoper
samstag, 13. november 1999
15. Aufführung in dieser Inszenierung

Le Prophète
Oper in fünf Akten von Eugène Scribe Musik von Giacomo Meyerbeer

Musikalische LeitungMarcello Viotti
InszenierungHans Neuenfels
Bühnenbild und
Kostüme Reinhard
von der Thannen
ChoreinstudierungErnst Dunshirn
Einstudierung der TänzeRenato Zanella
., .

OffizierAlexander Pinderak
Bürger Johannes Gisser
Anabaptist Martin Thyringer
BallerinaPatricia Sollak
., .
Orchester der Wiener Staatsoper
Bühnenorchester der Wiener Staatsoper Wiener Staatsopernballett Eleven der Ballettschule der Wiener Staatsoper Amadeus Knabenchor Bewegungschor

OD Travel

For more reviews from my travels, see www.operaduetstravel.com
If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com

Monday, June 12, 2017

June 12, 2002: La Juive in Vienna

2002-06-12 La Juive (Halèvy), Wiener Staatsoper

Eléazar = Francisco Casanova
Rachel = Soile Isokoski
Prinzessin Eudoxie = Simina Ivan
Kardinal Brogni = Walter Pink
Léopold = Jianyi Zhang
Ruggiero = Markus Nieminen
Albert = In-Sung Sim

Vjekoslav Sutej, conductor



Wiener Staatsoper
mittwoch, 12. juni 2002
19. Aufführung in dieser Inszenierung

La Juive
Oper in fünf Akten
Textbuch von Eugène Scribe
Musik von Fromental Halévy
Musikalische LeitungVjekoslav Sutej
Inszenierung Günter Krämer
Bühnenbild und
Kostüme Gottfried Pilz und
Isabel Ines Glathar
Choreinstudierung Ernst Dunshirn
..,

1 Bürger Hacik Bayvertian
2 Bürger Hiro Ijichi
Offizier Martin Müller
..,
Orchester und Chor der Wiener Staatsoper Bühnenorchester der Wiener Staatsoper
Eleven der Ballettschule der Wiener Staatsoper
" Stipendiat des Herbert von Karajan Centrums

"Gestern in der Oper" (Yesterday in the opera) so begins many tales
from Vienna. And this one too, La Juive by Fromental Halevy in Vienna State Opera, a grand opera in 5 acts. In Vienna it was divided into three parts, Act 1, then first break, Act 2+3 together, second break, and Act 4+5 together.

It started at 19 hours. In McDonalds there is Korea-woche (because of Fotball WC Korea Japan), and in the operahouse certainly had its Asian flour. Leopold was sung by Jianyi Zhang (from Shanghai), Albert by In-Sung Sim and 2nd citizen by Hiro Ijichi. And they were all doing it very well. Especially did I like Albert, and missed him in the lineup after the whole opera. A splendid voice and appearance. Leopold in Jianyi Zhang was a pain to listen to in the aria "Loin de sa amie", but that is a high note aria that few tenors of today manage, luckily this was the only place in the opera that he seemed lacking, his acting and singing and overall performance was indeed great.

Now, to start with the 1rst act:
I was nolonger surprised by the production since I have seen it before in November 12th, 1999 with Neil Shicoff, Soile Isokoski, Zoran Todorovich and Regina Schörg and Alastair Miles.

Leopold is recognized by Albert, L is disguised as a Jew. Here I noticed the beautiful voice of the evening's Albert (In-Sung Sim). Then the mayor of the city, Ruggiero (Markus Nieminen) declare it to be a festive day with the help of Albert. In the evening the went, I still found Markus Nieminen lacking as Ruggiere. Then the first look of the evening's Eleazar in the guise of Francisco Casanova. Certainly he looked different from the slim Neil Shicoff, this very big, but most of all fat tenor. But when thinking of the role of Eleazar, the rich gold-smith, was is not natural that he would look so well-fed, yes, so in this role, is was perfect. Soile Isokoski as Rachel, the Jewess of the opera, looked as perfect and sang and acted as perfectly as before. Now Eleazar, the fat and rich Jew is as always provoking to the Christians in the city, especially Ruggiero who leaps at the possibility to strike on the Jews. Then the Cardinal Brogni, in the magnificent statue of Walter Fink, appeared. I
remember in 1999 when Alastair Miles was Brogni, he was not half the man/voice of Walter Fink. Ruggiero has condemned Eleazar and Rachel to death, and Brogni saves them. What a magnificence in the wonderful "Si la rigeur et la vengence". What a bass.

Then after all this, Leopold sings his "Loin de sa amie", unfortunately I cannot praise that aria. But I must admire the guts of singing such a difficult aria right in front of the Vienna State audience. I think the audience in knowing the difficult notes in this aria, was sympathetic to his effort. Then it was the duet with Rachel. Beautiful sung and acted. Then the scene changes, it is a feast, the crowd is gathering, again Eleazar goes right into the crowd, Rachel tries to help her father getting a good place at the same time not to provoke the crowd. When Ruggiero sees them near the church, he instills in the crowd they hatred and wishes to drown them in the sea ("Sur le lac"). Leopold, still dressed as Samuel, the Jew that Rachel thinks she loves, sees Rachel in this great distress, and tries to save her, without Albert seeing Leopold, this could have gone badly also for Leopold, something a Prince of the Empire would not be aware. The crowd and Rachel are surprised to see that the Christians obeys a Jew (Leopold, the disguised Prince of th Empire).

ACT II & III
In Eleazar house, the ceremony of Passover. "O Dieu, de nos pères, parmi nous decends". Wonderful sung by Francisco Casanova. Leopold is there as Samuel, but Rachel sees him throw away the sacred bread. Then the ceremony is halted, Eudoxie (the wife of Leopold, and daughter of the Emperor) comes to ask for a precious gold piece that she want to give to her husband, since he is celebrated as the conqueror of the Hussites. Eudoxio sung by Simina Ivan, she is doing her role and singing it very well, in the ensembles and duets she seem a little weak. Then the ceremony gets to its original end, Leopold is troubled by the hearing of Eudoxio, Rachel worried about who is Samuel. Rachel sings the wonderful aria "Il va venir", and it is really wonderful to listen to. Then Leopold comes back, he confesses that he is a Christian. Rachel is taken aback. Then he tries to make her go away with him to live in some deserted place, where nobody ask of religion. She still doesn't know that he is not only Christian, he is married, too. He convinces her, they are on their way, Eleazar appear. Great trio!!! If you were not a Jew, I would have killed you by now, says Eleazar. Hit me, I am a Christian, says Leopold. Then Rachel intercedes, she want that Leopold (Samuel) converts to Judaism, and then be her husband. Eleazar, confronted with Rachels sorrow, agrees. But Leopold, says, no. Rachel is heart-broken, Eleazar furious, Leopold runs away.

ACT III
Eudoxie sings of the joy that her husband is back, it is a festive dinner with Cardinal Brogni, Ruggiero and Leopold and other important people present. Eleazar comes with the gold necklace for Eudoxie to give her husband, Leopold. When Eudoxie presents the gift to her husband Rachel and Eleazar recognize him as Samuel, the traitor. Rachel leaps up, and pronounces Leopold a traitor to God's law since he, a Christian, have been together with her, a Jewess. Eleazar provokes Brogni when is say is the law not for the Christians. Brogni reacts with an Anathema for all the three, Leopold, Rachel and Eleazar. All shall react with fear of touching these three, no burial nor prayers will be said at their death.

ACT IV

First Eudoxie meets Rachel in the prison, to plead for the life of Leopold, her husband. A wonderful duet, but unfortunately the voice of this Eudoxie, Simina Ivan, is in my opinion to weak for the duet to be as powerful as it should feel. Then Cardinal Brogni want to know of Rachel if she can prevent this terrible blow to fall unto Leopold, and also unto Rachel. He have great compassion with Rachel, but she will only save Leopold, for herself she longs to die. Brogni has one hope left to save Rachel, her father Eleazar. And then there is the big duet between the Cardinal and Eleazar. Eleazar will not become a Christian and thus save Rachel. He can tell Brogni, that B did not loose all in the terrible fire in Rome which B think killed both his wife and child. The child, a girl, is alive and Eleazar know the name of the Jew that saved her. Eleazar's revenge on Brogni for killing his sons in Rome and banishing E from Rome, will be taking the secret with him when he dies. Brogni begs of mercy, but Eleazar is not for mercy.

After these great duets, comes Eleazar's great aria "Va, prononcer ma mort"- "Rachel, quand du Seigneur". The revenge of Eleazar will mean the death of Rachel, who is really Brogni's daughter, fostered up by Eleazar as his own. Compassion and hatred rages in Eleazar's heart.

Act 5.
To his surprise, Eleazar's hears that only Rachel and himself will die. A believable witness has pronounced Leopold innocent. Who was the witness?? RACHEL. The execution are about to begin, Brogni pleads with Eleazar, Eleazar halts the execution. He asks Rachel, do you want to live, without him but in the supreme palaces. Rachel says no, la flamme etincelle. Brogni, where is my daughter?. Eleazar, there she is, in that moment Rachel is executed and Eleazar walks proudly to his death.

WOW! that is a great opera, n'est pas?

OD Travel + Photos

Wednesday, May 31, 2017

May 31, 2004: L'Italiana in Algeri, Vienna

2004-05-31 L'Italiana in Algeri (Rossini), Wiener Staatsoper

Mustafà = Ferruccio Furlanetto
Elvira = Simina Ivan
Zulma = Stella Grigorian
Haly = Marcus Pelz
Lindoro = Juan Diego Flórez
Isabella = Agnes Baltsa
Taddeo = Alfred Šramek

Frédéric Chaslin, conductor



And at 1930 it started with the overture/Sinfonia of Italiana in
Algeri. It was almost the same production as last time, it was the wonderful Ponnelle production, but it had had some brush-ups. I thought that this was more buffo than before, and certainly I felt that Simina Ivan (Elvira) and Stella Grigorian (Zulma) was being too comic. Certainly Zulma was overdoing things. Ferruccio Furlanetto was an agile and playful Mustafa. Juan Diego Florez was great as Lindoro.
Agnes Baltsa had some really great moments in "O che muso", "Pensa alla patria" and the delightful "Per lui che adoro".

Wonderful opera!!

OD Travel + Photos

Wednesday, May 3, 2017

May 3, 2015: Neil Shicoff Gala in Vienna

2015-05-03 Neil Shicoff Gala, Wiener Staatsoper

NEIL SHICOFF - 40 JAHRE BÜHNE

Les Contes d’Hoffmann (Jacques Offenbach) – Prolog 
Hoffmann: Neil Shicoff
Lindorf: Paolo Rumetz
Nicklausse: Stephanie Houtzeel
Andres: Thomas Ebenstein
Luther: Marcus Pelz
Hermann: Clemens Unterreiner
Nathanael: Carlos Osuna

Pique Dame (Peter I. Tschaikowski) – 2. Akt, 2. Szene 
Hermann: Neil Shicoff
Lisa: Krassimira Stoyanova
Gräfin: Anja Silja
Mascha: Hyuna Ko 

La Juive (Jacques Fromental Halévy) – 4. Akt
Eléazar: Neil Shicoff
Kardinal Brogni: Ferruccio Furlanetto
Rachel: Krassimira Stoyanova
Eudoxie: Simina Ivan

Carmen (Georges Bizet) – 4. Akt 
Carmen: Elena Maximova
Don José: Neil Shicoff
Escamillo: Clemens Unterreiner
Frasquita: Simina Ivan
Mercédès: Juliette Mars

Frédéric Chaslin, conductor



What a disappointment, coming to Neil Shicoff 's Gala and no Agnes Baltsa as Carmen to his Don Jose. From the greatest Don Carlo of Rolando Villazon et co. in Berlin. Had I known that Baltsa would not sing I would have seen Don Carlo for the 2nd time on this day instead I got the cold in Vienna and Neil Shicoff.

Having just seen Les Contes d'Hoffmann with Rolando Villazon in a great production seeing the prolog was nothing much. Shicoff can act and sing, but he is not my guy.

Pique Dame - Shicoff was great as Hermann. Anja Silja was not that audible. Krassimira Stoyanova was having an Off day, or maybe it was just that I was OFF.

Interval

La Juive - not the whole end but we got the Aria from Eleazar. Simina Ivan and Krassimira Stoyanova could have been the Duet of the Ages but they had aged since I saw them in the of Eudoxie and Rachel. Ferruccio Furlanetto as Brogni, he only gets better with age but then he is a bass.

CARMEN - the end
Elena Maximova is the new CARMEN on the block. Neil Shicoff acts but he is no Carreras, Domingo, Cura & Alvarez. Clemens Unterreiner was Escamillo and a good, solid one.

Frederic Chaslin conducted it all.

Then  when we thought it was over we got 45 minutes or so with speaches. Shicoff ended it with his I am so nervous, the most nervous if them all. The audience gives us the energy not the other way around. And thank god for my wife, Dawn Kotoski.


And I am still not cured. Kleenex forever!!!

OD Travel & Photos
Original blog post


For more reviews from my travels, see www.operaduetstravel.com If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com