July 23, 2014: Josep Carreras in Dalhalla, Sweden

2014-07-23 The Legendary Tenor José Carreras, Dalhalla, Sweden 

José Carreras, tenor
Simge Büyükedes, soprano

Stockholm Concert Orchestra

David Giménez, conductor

THE LEGENDARY TENOR JOSÉ CARRERAS

On July 23rd, 2014 is it exactly 20 years since Birgit Nilsson opened the first Dalhalla festival with her concert. So this is the Jubilee Concert for Dalhalla. Josep Carreras was chosen to do the special Jubilee Concert as he is now a legend himself. Many years ago he sang with Birgit Nilsson in Tosca (in the US) and she refered to him as "her baby Cavaradossi".

Simge Büyükedes was the unknown quantity in this concert and she was the one who sang opera arias in the concert, the famous ones from Rusalka and La Wally. She was born in Istanbul, Turkey. A wonderful soprano voice that is like velvet. The weather that had threatened the concert with thunders, lightnings and heavy rains that luckily stopped in time of the concert begin at 2100 might have had an effect on her voice as it in the second half seemed to loose some of the strength. A slight cold could be hard on the voice. Josep Carreras was as he is nowadays a strong voice but not so subtle as when he was younger, no wonder when the man is over 67 years old. Nevertheless this was a party of well song canciones, musical tunes, zarzuela and opera arias. The Majesties of Sweden was there. And there were encores and Bravos and Bravas. The man holding it all together was David Gimenez conducting STockholm Concert Orchestra.


PROGRAM
1
1. Verdi: NABUCCO - Ouverture (Orchestra)
2. Donizetti: Te voglio bene Assaje (Carreras)
3. Tosti: L'ultima canzone (Carreras)
4. Dvorak: RUSALKA - Song to the Moon (Büyükede)
5. Albeniz: El eco de tu voz (Carreras)
6. Rubas: Rosó - pel teu amor (Carreras)
7. LA WALLY - Ebben ne andro lontana (Büyükede)
8. Bizet: L'Arlesienne suite - Farandole (Orchestra)
9. Leigh: THE MAN OF LA MACHA - The Impossible Dream (Carreras)

2
10. Rendine: Vurria (Carreras)
11. Valente: Passione (Carreras)
12. Delibes: Les filles de Cadiz (Büyükede)
13. Satie: Je te veux (Carreras & Büyükede)
14. Jimenez: LA BODA DE LUIS ALONSO - Intermedio (Orchestra)
15. Barbieri: EL BARBERILLO DE LAVAPIES  - Cancion de Paloma (Büyükede)
16. Caballero: EL DUO DE LA  AFRICANA - Duo y Jota (Carreras & Büyükede)
17. Cardillo: Core n'grato (Carreras)

ENCORES

1. Gitarra Romana (Carreras)
2.  I Could Have Danced All NIght (Büyükede)
3. Non ti scordar di me (Carreras & Büyükede)
4. Torna a Surriento (Carreras)

5. Libiamo ne lieti calici (Carreras & Büyükede)

OD Travel & Photos
Original blog post

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June 28, 2002: Jose Cura in Dalhalla

2002-06-28 Opera Concert, Dalhalla, Sweden

José Cura, tenor & conductor
Giuseppina Trotta, mezzo
Sinfonia Varsovia
Pietro Veneri, conductor



PROGRAM
It begins with a rowboat, and Cura with an umbrella, then he arrives at the stage, jumps up, and begins conducting
Giuseppe Verdi
LA FORZA DEL DESTINO - Ouverture, Cura conducts
Veneri comes out, and conducts Il Corsaro, and Cura does Corsaro in his usual way.
Il CORSARO - Ah si, ben dite - Tutto parea sorridere Cura sings
Giuseppina Trotta joins Cura in this duet. I was disappointed by hearing her, a little voice and the duet did not catch air.
IL TROVATORE - Madre, non dormi Duet: Cura/Trotta
Cura talks to the audience, " you are crazy, sitting in the rain". Telling us as a Latino for him this is Winter. "Wonderful Dalhalla" Then Trotta sings alone. This is not a highlight.
Pietro Mascagni
CAVALLERIA RUSTICANA- Voi lo sapete, o Mamma Trotta
Cura sings Cielo e mar, not just the aria but also its introduction. He is doing alright, he is sick, has a cold.
Amilcare Ponchielli
LA GIOCONDA Cielo e mar (introduction + aria) Cura
The conducting of Forza del Destino was disinteresting, but he made a very good Intermezzo from Manon Lescaut, I have not heard it, so touching as Cura made it. It was really great. He said in his Verdi DVD that Verdi can easily become band-music and he did that to FORZA. But with Manon Lescaut he redeems that fault.
Giacomo Puccini
MANON LESCAUT Intermezzo Cura conducts
Cura is trying to sing O paradiso, it is never apparent in which language he sings it, it sound like a combination of French and Italian, maybe with a Spanish touch. He is sick, maybe that is the reason, or maybe he haven't learnt it properly.
Giacomo Meyerbeer
L'AFRICAINE O, paradiso Cura
Wonderful,in the program it says only the intermezzo, but we also gets Cura singing the song to the Flag (the Argentinean Flag,naturally). It is really touching, but I would to hear it when Cura is vocally on top, too.
Hector Panizza
AURORA Intermezzo epico Veneri conducts
Cancion de la Bandera Cura

Intermission
Cura talks again, this time about AURORA, and the song of the flag, National Song of Argentina. It is the first time it was sung outside Argentina, Cura said. And he saw the Argentinean Flag when he was singing it. Very touching. I looked up and I saw an umbrella, with white and the light-blue of the Argentinean flag, so I know what he saw. (But I was wrong there was Argentinean flags there as one Argentine who lives in Sweden told me in an e-mail. But I did not see it). Then it the Girl of the Golden West, Cura conducts, and then after it is over the Prelude, Veneri have to "fight" with Cura in order to get the baton. And then Cura have to make an excuse to the audience for having blown his noise for open mike in the first part. And then it is "Ch'ella mi creda". Again he sings the introduction to the aria too (seldom done in concerts)
Giacomo Puccini
LA FANCIULLA DEL WEST Prelude Cura conducts
Ch'ella mi creda Cura sings, Veneri conducts
Veneri conducts a wonderful Bacchanale, then Trotta sings the seduction-aria, and in the end of the aria, Cura comes out, and sings "Dalila, je t'aime" .
Camille Saint-Saëns
SAMSON ET DALILA Bacchanale
"Mon coeur s'ouvre à ta voix Trotta / Cura
Veneri is a good conductor, and Trotta was much better in the Carmen section than anything else. Cura had really a cold, but with a careful use of his voice, out came one of the finest interpretation of the Flower Aria. Then the end-duet, and Cura was so sick, he had to fight with himself not to cough in the wrong musical moment, concentrate to have his throat ready when the duet need Don José. Most singers would have said to the audience, I am sick, this duet is too much for me today. And nobody would have thought less of Cura had he done that. (It was his right, and maybe his obligation to do so)
Georges Bizet
CARMEN Prelude
Habanera Trotta
La fleur que tu m'avais jetée Cura
Entr'acte, act 4
C'est toi, c'est moi Trotta / Cura

EXTRA
Addio, fiorito asil (MADAMA BUTTERFLY) Cura
Seguedilla (CARMEN) Trotta / Cura
Nessun dorma (TURANDOT) Cura
Who would have thought that we would get extra-numbers. I thought that in case of extras, it would have been Trotta and Veneri who would have to do it, Cura needed rest. But he sang one of the shortest arias, Addio fiorito asil, I think it is not really an easy aria, even if it is being short. Trotta sang Seguedilla and Cura came in as Don José does in the opera. Then HE ended it all with Nessun dorma, it wasn't necessary, but we loved it. As the absolute end of the show, this Gala concert, he made us applaud every section and every musician in the Sinfonia Varsovia. The Concert ended at 22.00


JOSÉ CURA IN DALHALLA

Friday 28:th - 19.00-21.30 - Open 17.00
José Cura, tenor and conductor
Giuseppina Trotta, mezzo soprano
Sinfonia Varsovia
Assistant Conductor: Pietro Veneri

OD Travel