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Showing posts with label GIACOMO MEYERBEER. Show all posts
Showing posts with label GIACOMO MEYERBEER. Show all posts

Monday, November 13, 2017

November 13, 1999: Le Prophete in Vienna

1999-11-13 Le Prophète (G. Meyerbeer), Wiener Staatsoper

Fidès = Agnes Baltsa
Jean de Leyde = Janez Lotric
Berthe = Simina lvan
Le Comte d'Oberthal = lstvan Gati
Zacharie = Peter Köves
Mathisen = David Cale Johnson
Jonas = Torsten Kerl

Marcello Viotti, conductor


Le Prophete. The Anabaptist revolt, because of the unfair conditions that the country people live under. Their Overlord is harsh and unfriendly. The sect of the Anabaptist, is against the Church. Unfortunately the violence remains. In this situation we find Berthe, an orphan, and Count of Oberthal decides instead of accepting that Berthe can marry Jean, he wants her himself. The mother of Jean, Fides, who has come to fetch Berthe, is also seized. Jean finds out about Berthe, in his hatred he becomes the Prophet...
This was the second time I saw Le Prophete, and Hans Neuenfels ideas about this opera, irritated me even more. Agnes Baltsa was great. Janez Lotric was brave to sing this role after Plácido Domingo. Simina Ivan was a good Berthe. The three Anabaptist were weaker than before.
But Giacomo Meyerbeer's music is still GREAT no matter what the director does.
Only one thing I want to tell the opera directors, let opera unfold to tell the story. Just open it up, new and fresh. (like one did with La Juive)

Wiener Staatsoper
samstag, 13. november 1999
15. Aufführung in dieser Inszenierung

Le Prophète
Oper in fünf Akten von Eugène Scribe Musik von Giacomo Meyerbeer

Musikalische LeitungMarcello Viotti
InszenierungHans Neuenfels
Bühnenbild und
Kostüme Reinhard
von der Thannen
ChoreinstudierungErnst Dunshirn
Einstudierung der TänzeRenato Zanella
., .

OffizierAlexander Pinderak
Bürger Johannes Gisser
Anabaptist Martin Thyringer
BallerinaPatricia Sollak
., .
Orchester der Wiener Staatsoper
Bühnenorchester der Wiener Staatsoper Wiener Staatsopernballett Eleven der Ballettschule der Wiener Staatsoper Amadeus Knabenchor Bewegungschor

OD Travel

For more reviews from my travels, see www.operaduetstravel.com
If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com

Wednesday, May 31, 2017

May 31, 1998: Le Prophete in Vienna

1998-05-31 Le Prophete (Meyerbeer), Wiener Staatsoper

Fidès = Agnes Baltsa
Jean = Placido Domingo
Berthe = Viktoria Loukianetz
Le Comte d'Oberthal = Davide Damiani
Zacharie = Franz Hawlata
Mathisen = David Cale Johnson
Jonas = Torsten Kerl

Marcello Viotti, conductor




Preparation is everything, especially if an opera that are new for me. First live Meyerbeer opera. The only Meyerbeer I knew was the opera L'Africaine (from the video of the opera with Plácido Domingo and Shirley Verrett in San Francisco Opera. I went to the Theatermuseum, after buying Le Prophete (CBS Masterworks), it was a Meyerbeer expedition. Then it was time to go to Vienna State Opera for Le Prophete with Agnes Baltsa and Plácido Domingo. Having read the CD-libretto made me see what should have been onstage. Hans Neuenfels was the director, and his job was to make this Grand Opera unto a big messy spectacle. It was not too bad, the singers was excellent, and some of his ideas was good. One thing was absolutely not agreeable by me, the dancer who was another Jean, a modern one with heroin abuse and hanging, coming unto the stage, and the monkeys (probably belong to the 3 Anabaptists or even representing them). Too much was happening on the stage. Making you lose moments of the opera, confusing you.

Plácido Domingo was a superb Jean, very charismatic and strong. Agnes Baltsa was Fidès, very charismatic and in splendid voice. Le Prophete needs both a Jean and Fides that are in good voice and have charisma. Viktoria Loukianetz was Berthe, wonderful soprano. Acting was not easy in this overcrowded stage so filled with the directors own ideas of making Le Prophete his, but still Agnes and Plácido was strong enough to give enormous pleasure both in the singing and acting. Even if one loathed the production, one would like to go again to experience both Plácido and Agnes in roles that suited them so well, and Meyerbeer's opera is so wonderful in the melodies. Just focus on Plácido Domingo or Agnes Baltsa and the rest would cease to exist.

Sonntag, 31. Mai 1998 STAATSOPER
4. Aufführung in dieser Inszenierung

Le Prophète
Oper in fünf Akten
von Eugène Scribe
Musik Giacomo Meyerbeer

Musikalische Leitung Marcello Viotti
Inszenierung Hans Neuenfels
Bühnenbild und Kostüme Reinhard von der Thannen
Choreinstudierung Johannes Meister
Einstudierung der Tänze Renato Zanella


Offizier Johann Reinprecht
Bürger Hasik Bayvertian
Anabaptist Peter Tuff
Ballettsolisten Marialuise Jaska
Ludwig Karl
Christian Musil
Gregor Hatala
Bühnenorchester der Österreichischen Bundestheater
Eleven der Ballettschule der Österreichischen Bundestheater
Amadeus Knabenchor Bewegungschor

OD Travel