November 20, 2004: Jose Cura interview in Vienna

Many members of JCx (José Cura Connexion) were in Vienna for Stiffelio already and so when Marlene told us about the public interview in Theater Akzent we got our tickets.

First the technical problems. And José had to take a photo of that:

And then on the left we see the translator, José Cura, and on the right the interviewer.
In the end it needed a technichian.

It was interesting to hear Cura explain his views about this and that in opera. And a point in the interview he got visibly red after too many compliments.

That was cute.

For more reviews from my travels, see www.operaduetstravel.com
If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com

November 20, 2010: La Fanciulla del West in Zurich

2010-11-20 La Fanciulla del West (G. Puccini), Opernhaus Zurich

Dick Johnson (Ramirez) = José Cura
Minnie = Emily Magee
Jack Rance = Ruggero Raimondi
Harry = Shinya Kitajma
Jake Wallace = Davide Fersini
Nick = Martin Zysset
Ashby = Daniel Henriks
Sonora = Cheyne Davidson
Sid = Tomasz Slawinsky
Trin = Pablo Ricardo Bemsch
Bello = Kresimir Strazanac
Joe = Boguslaw Bidzinski
Happy = Thomas Tatzl
José Castro = Valeriy Murga
Larkens = Aaron Agulay
Billy Jackrabbit = Thomas Forde
Wowkle = Bettina Schneebeli
Un Postilione = Simon Wallfisch


Massimo Zanetti, conductor


Inszeniering - David Poutney
Spielleitung - Aglaja Nicolet
Bühnenbild - Stefanos Lazaridis
Kostüme - Sue Wilmington
Lichtgestaltung - Jürgen Hoffmann


This David Pountney production of La Fanciulla del West by Giacomo Puccini is growing old and is no longer inspiring. Once upon a time the use of movie was innovating like in 2004 when I first saw this production I found it pure genius. But the times has changed and it is after all my 10th Fanciulla.

It is nothing new here. The Girl of the Golden West (LA FANCIULLA DEL WEST) is the Spaghetti Western as opera. Was it necessary to make the stage so steep and did the screen really have to be hung in a slope. It just seemed so sloppy. Every time the movie was playing or the backdrop was changed to another photo reminding us about the time of gold digging in California it was like the director took the audience as utter fools. It is the usual story of opera directors not daring to let the opera speak for it self.

When I compare to the other Fanciulla productions that I have seen at Royal Opera House (London), Deutsche Oper Berlin, Den Norske Opera (Oslo) then Opernhaus Zürich production seem to be the oldest and dullest one.

The cast was incredible. Still I was bored and not really tuned into the action. I just know that Emily Magee was the perfect Minnie and José Cura was perfect as Dick Johnson. Ruggero Raimondi was also great. But the production let this opera down.

Original blog post
OD Travel + Photos

For more reviews from my travels, see www.operaduetstravel.com If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com

November 20, 2011: La Forza del Destino in Paris

2011-11-20 La Forza del Destino (Verdi), Opera National de Paris (Opera Bastille)

Il Marchese di Calatrava = Mario Luperi
Donna Leonora = Violeta Urmana
Don Carlo di Vargas = Vladimir Stoyanov
Don Alvaro  = Marcelo Alvarez
Preziosilla = Nadia Krasteva
Padre Guardiano = Kwangchul Youn
Fra Melitone = Nicola Alaimo
Curra = Nona Javakhidze
Mastro Trabuco = Rodolphe Briand

Philippe Jordan, conductor

Stage director - Jean-Claude Auvray
Sets - Alain Chambon
Costumes - Maria Chiara Donato
Lighting - Laurent Castaingt
Choreography - Terry John Bates
Chorus master - Patrick Marie Aubert
Paris Opera Orchestra and Chorus
COPRODUCTION WITH THE GRAN TEATRE DEL LICEU, BARCELONA

If only La forza del destino at Opera Bastille started in the evening then I could have time to play the tourist in Paris. But the opera started 1430. I had read a review of it so I was prepared for a minimalistic version. I was surprised it was very colourful and vivid. I was also prepared for perhaps Marcelo Alvarez would not be singing. But he sang. And he was great as Don Alvaro. I was prepared to be underwhelmed by Violeta Urmana as Leonora, but she was amazing. Vladimir Stoyanov was also much better as Don Carlo di Vargas than the review said.

The production had a lot that was good. The biggest surprise was that it did not start with the ouverture this time the opera started in the Calatrava castle. After this scene came the ouverture, one of the best performances of the iconic piece. The only thing I would critize Urmana is her use of her arm to show despair, 3 times the same gesture and it gets old. Nadia Krasteva was a wondeful Preziosilla but unfortunately her role was vulgarized by the director. That Preziosilla would walk off with "Pereda" after the scene in the taberna, was not to my liking and not how I understood Preziosilla. Nicola Alaimo was Fra Melitone, too comic and extreme, maybe. Kwangchul Youn was simply wonderful as Padre Guardiano. Mario Luperi was a fine Marchese di Calatrava.

I loved it, even if it had some weakness. After the opera I waited at the stage door, and I saw Kwangchul Youn, Violeta Urmana, Marcelo Alvarez and Nadia Krasteva.

OD Travel + Photos
Original blog post

For more reviews from my travels, see www.operaduetstravel.com If you want to see more photos from my OperaDuets Travels, go to www.operaduetsphotos.com