Pages

Showing posts with label LUCIA DI LAMMERMOOR. Show all posts
Showing posts with label LUCIA DI LAMMERMOOR. Show all posts

Tuesday, September 5, 2017

September 5, 1989: Lucia di Lammermoor in Oslo

1989-09-05 Lucia di Lammermoor (Donizetti), Den Norske Opera (Oslo)

Lucia = Elizabeth Norberg-Schulz
Edgardo = Giuseppe Costanzo
Enrico = Knut Skram
Raimondo = Svein Carlsen
Alisa = Torill Eriksen
Arturo = Ulf Øien
Normanno = Arild Helleland

Carlo Felice Cillario, conductor
Regie - Wilhelm Sandven (after an original konzept by Maria von Grosschmid) Scenography - Kathrine Hysing
OD Travel

Thursday, June 22, 2017

June 22, 2000: Lucia di Lammermoor in Vienna

2000-06-22 Lucia di Lammermoor (G. Donizetti), Wiener Staatsoper

Enrico = Franco Vassallo
Lucia = Edita Gruberova
Edgardo = Keith Ikaia-Purdy
Arturo = Torsten Kerl
Raimondo = Egils Silins
Alisa = Mihaela Ungureanu
Normanno = Tomislav Muzek

Marcello Viotti, conductor

Wiener Staatsoper
donnerstag,22. juni 2000
124. Aufführung in dieser Inszenierung

Zum letzten Mal in dieser Spielzeit
Lucia di Lammermoor
Tragische Oper
Dichtung nach Walter Scott
von Salvatore Cammarano
Musik von Gaetano Donizetti

Musikalische Leitung / Marcello Viotti
Inszenierung / Boleslaw Barlog
Bühnenbild / Pantelis Dessyllas
Kostüme / Silvia Strahammer
Chorleitung / Ernst Dunshirn
.,
Enrico (Lord Henry Ashton) Franco Vassalloo

-,
Ort der Handlung
Schloß und Park von Ravenswood in Schottland
.Zeit Ende des 16 jahrhunderts

Orchester und Chor der Wiener Staatsoper

0 Debüt an der Wiener Staatsoper

It was the most wonderful evening in the opera. Amazing this woman, Gruberova!! I had to remind myself that she was not really so young as she seemed as Lucia. An actress, a wonderful voice! I loved the production. The other singers was good too, Edgardo and Lucia's brother. And because Neil Shicoff was not singing I got a splendid ticket and wonderful seat.

OD Travel

Saturday, June 10, 2017

June 10, 2002: Lucia di Lammermoor in Vienna

2002-06-10 Lucia di Lammermoor (G. Donizetti), Wiener Staatsoper

Enrico = Manuel Lanza
Lucia = Stefania Bonfadelli
Edgardo = Tito Beltran
Arturo = John Nuzzo
Raimondo = Dan Paul Dumitrescn
Alisa = Florina Carmen
Normanno = Cosmin Ifrim

Frédéric Chaslin, conductor



Wiener Staatsoper
montag, 10. juni 2002
129. Aufführung in dieser Inszenierung

Lucia di Lammermoor
Tragische Oper
Dichtung nach Walter Scott
von Salvatore Cammarano
Musik von Gaetano Donizetti

Musikalische Leitung Frédéric Chaslin
Inszenierung Boleslaw Barlog
Bühnenbild Pantelis Dessyllas
KostümeSilvia Strahammer
Chorleitung Ernst Dunshirn
,

-.
Ort der Handlung Schloß und Park von Ravenswood in Schottland Zeit Ende des 16 Jahrhunderts
Orchester und Chor der Wiener Staatsoper
" Stipendiat des Herbert von Karajan Centrums

TITO BELTRAN as Edgardo
Stefania Bonfadelli as LUCIA

Last time I saw it in Vienna State Opera was with Edita Gruberova as Lucia, she was just amazing: vocally and acting and in seeming so young. This time with a young soprano, wonderful voice and acting skills. Was Bonfadelli better then Gruberova? Different, but not better. The balance was better in Gruberova´ performance, in a mad scene that was not so exaggerated, but more chilling because of that. And in the beginning of the opera, when she tells of the ghost she saw and her love of Edgardo, much more adorable and winning and the young soprano. The duet with her brother, much better acting and singing. My heart did not beat so much for this Lucia, even though she has a very rich soprano voice, a fullbodied voice, and yet the top notes was sometimes a rather unpleasant shock.

Tito Beltran, was a really wonderful Edgardo, youthful and shining. Getting better all through the evening. The last scene really was a shower of tears for me. So emotional, hard not to start crying for real.

What could have made this evening better: a better Enrico. Manuel Lanza was weak this evening. Even the showstoppers that Enrico have was not a highlight. It was impossible for Stefania Bonfadelli to be better in the scene Lucia/Enrico, because of her weak partner. And in the Wolfrag-scene between Edgardo/Enrico, without a strong partner it was not possible to make this a real highlight, even for TITO BELTRAN

OD Travel